MR27
Songs from the Six-Gun
Skunk Label
Jon Twitch
MR27 was mostly overlooked
when they were active, but this
CD hopefully canonises them as
a great Korean punk band. While
Korean rockers were playing
balls-less retro Archies-esque
rock and roll, Burke, Sidney,
and Kim Ganji were savaging
listeners with a cutting blend
of garage, psychobilly, rockabilly,
surf, and punk, backed in a
couple songs by the brass section
of Kingston Rudieska and
a group of foreigners providing
howls. My favourite number
is the new version of "Graves
of Fire and Ice," which means
I must surrender my journalist
objectivity and admit I am part
of the chorus.
The songs are recorded
great, and if you listen to this
album next time you see MR27
the songs will have much more
meaning to you.
Of course the only drawback
is the CD cover, which is
as cheap as the ancient MR27
website. The booklet is filled
with great artwork, however.
Join the Circle
Townhall Records
Jon Twitch
The top hardcore band out of
Korea is the Geeks, no question.
Hot on their heels are
Things We Say. Following up in
third is Join the Circle, but before
you accuse them of riding
the coattails of those other two
bands, give this album a listen.
With seven songs averaging
just over a minute in length, this
CD whips by quickly. Yongdre¡¯s
vocals don¡¯t have quite the
range of Kiseok¡¯s in the Geeks
recordings, and throughout all
the songs he maintains the same
pitch and intensity. This puts
the emphasis on the instrumental
performance. The songs are
all in English, and despite the
occasional grammatical error
the lyrics are well crafted, falling
closer to poetry than your
standard Engrish punk lyrics.
Maybe their bassist Sean had
something to do with that.
This is the kind of band I¡¯d
rather listen to live rather
than have a CD of, especially
considering it only lasts nine
songs, but it is a testament
to the magnetism of their live
shows.
The Moonshiners
Uprising
EGG Music
December 2007
H Muninn
The Moonshiners deliver
an authentic tribute to the
roots of rock¡¯n roll on their
debut recording, Uprising.
Not a local spin on rock¡¯n
roll, Uprising, and indeed The
Moonshiners¡¯ stage show itself,
delivers an homage to
the classic sound which destroyed
music and western
civilization as we know it with
its fun-loving, thrill-seeking,
sensualist approach to getting
things done.
Sound quality on the 5-track
recording is superb and the
EP itself is flush with photos,
lyrics and attitude. As the CD
spins you can almost hear the
crisp snap from the freshlypressed
sleeves of sailor suits
over the crystal clear guitar
of the near-legendary Cha
Cha. The four-member band,
Cha Seung Woo (guitar/vox),
Beck Jun Myung (guitar), Choi
Chang U (bass), Son Gyeong
Ho (drum) combine to create
a virtual musical time machine
that were it not for the Korean
language vocals could almost
convince you that hamburgers
are 10 cents again.
Wednesday Night Heroes
Guilty Pleasures
BYO Records
Jon Twitch
After ten years and three
full-lengths, as well as a few
EPs, the Wednesday Night Heroes
are as professional as a
punk band can get.
What I look for in a Heroes
recording is how well it reflects
their larger-than-life personas.
Their first self-titled full-length
was written in the heat of anger
at being blacklisted, and the second,
"Superiority Complex," was
done when they were starting to
break through and be taken seriously.
On this one, where would
they go? Now they¡¯re a welltravelled
band with impressive
contacts, and this album shows.
As I listen to the songs I wonder
which make the best singalongs,
which was always the
draw of their live shows. Other
than that they¡¯re the same old
Heroes, older and wiser and still
one of the few bands that can
bridge the gap between punk and
hardcore. You can tell they still
love playing, and their lyrics are
still just as hard-hitting and personal
as ever. Just like before,
nothing will stop the Wednesday
Night Heroes.
Galaxy Express
Ramble Around
FarGo Music
November 2007
H Muninn
Few bands can capture the
raw appeal of their live performances
in the studio. Many
of us who have been following
Galaxy Express since their
inception have also been privy
to their striving to do just that.
From their early CD-R (At that
side of outer space of dusk),
through their EP (To the Galaxy)
to their first full-length
album (Ramble Around) the
band has worked to capture
the raw energy of their take on
guitar-oriented rock, while simultaneously
trying to present
the technical mastery which
makes their live show so exhilarating
and mutable.
Ramble Around has the cleanest
sound that the band has recorded
to date, presenting all
the intricacies and layers the
music and vocals have to offer.
It also sees the band embracing
a slightly new direction - not
always seeking to plunge into
an abyss of musical abandon at
breakneck speed. Some of the
band¡¯s key tracks, present on
all three recordings, seem almost
sedate on Ramble Around
on first listen. Repeated listens
begin to work a subtle alchemy,
however, and can raise doubts
that the visceral satisfaction
of the earlier, faster versions
was the best way to present the
songs. This album also sees a
slight shift in personnel as the
band¡¯s drummer (Yoon Hong
Gu) was injured during this period
and a replacement (Kim
Hee Gwon) had to be found. Lee
Ju Hyun (bass/vox) and Park
Jong Hyun (guitar/vox) remain,
and continue to explore this
genre of rock with infectious
enthusiasm.
SuckStuff
Rough Times Ahead
Dope Music
July 2007
H Muninn
Sometimes something happens
that is so perfect that
those of us unburdened by the
curse of optimism realize with
perfect prescience that it cannot
last. Rough Times Ahead
is one of those things. Always
a stellar band, SuckStuff has
been producing some of the
best music in the scene from its
inception. With this 11-track
"EP" the band hits its stride in
a big way and smoothly integrates
all its disparate influences
into one stirring union.
If you don¡¯t have it, get it.
It¡¯s really that simple.
Galaxy Express
Ramble Around
FarGo Music
November 2007
Laura Smooth
Friday December 7 was the
CD release party for the new
album by Galaxy Express,
Ramble Around. The show itself
was great, with a good
line-up of openers, and two
sets by Galaxy Express. The
CD is pretty damn good too,
though it does have more than
its fair share of tracks already
released on their previous CD
and EP. There are a few tracks
from previous albums, as well
as their perennial cover, "Kick
out the Jams." It would have
been nice to hear their newest
cover, "Immigrant Song" by
Led Zeppelin, as I¡¯m sure that
by now everyone who¡¯s seen
the band play more than once
is already very familiar with
their take on MC5. Having said
that, the re-released songs are
more polished, as is "Kick out
the Jams," they did a great job
with them.
The boys of Galaxy Express
are smart lads. The album
opens with one of their most
popular songs, "¸Ó³ª¸Õ Ç×Á…",
and keeps the pace going from
there. There are a couple more
old songs before we finally
hear a new one, but it¡¯s worth
the wait. The first new song on
the album, "¶Ç´Ù·Ð ÇÏ·ç", has
a seriously kickin¡¯ sound; it¡¯s
driving, hard and fast, a solid
rocker. Another new song,
"ºÒŸ´Â ÇϴþƷ¡" has a great
intro leading into a definite
rock-out-with-your-cockout
song. "Black Mush" has a
pretty good sound, though it
didn¡¯t get me movin¡¯ like the
other tracks did. It¡¯s followed
by "Kick out the Jams" which
sounds really nicely cleaned
up here. But again, get a new
cover!
There are two hidden tracks
on the CD, not so hidden if you
upload though. The first one is
fantastic, it¡¯s slow and sludgy
and heavy and trippy with an
awesome solo. There¡¯s a defi-
nite Black Sabbath vibe happening
here, which can also be
heard in their cover of "Immigrant
Song." The second hidden
track has more of a rockabilly
vibe; short, fast, catchy,
and fun. This is a song that
would definitely get a dance
floor moving, and is an excellent
closer to the album.
Overall, this is a great album,
and is well worth picking up.
I¡¯m looking forward to a new
album with all new material
though, instead of half of one.
Get this album!
The Pipettes
Verv
12 March 2007
I am a skin and I do not approve
of hipsters, nor do I approve of
such avant garde fashion and ridiculous
behavior... But there is
something inside of me that says:
"This is an amazing sound that
deserves to be heard."
I can tell you that their album
is really excellent and I have listened
to it endlessly.
If you like fast paced, oldies
style stuff mixed with this... weird
new style... The Pipettes will give
your heart of music a note to
smile at.
The Pipettes are quite genius. I
enjoy their voices and their music.
So far to date, the only redeeming
thing to come out of the
hipster scene is the Pipettes. I
forgive them all for their shaggy
hair and for their ridiculous antics
merely because the music produced
is worthwhile.
The Metal Declared Good & Holy
Verv
16 November 2007
I have turned my ear to metal
for a while and I am now ready,
as a skin who was fed off of Oi
and RAC over the last seven
years, to declare the metal
bands which are very worth
listening to.
Behold:
(1) Manowar.
(2) Absurd.
(3) Beherit
(4) Graveland.
(5) Elvenking
(6) Peste Noire
(7) Moonspell (yes, you are
correct, kind of gay but really
good)
(8) Finntroll
(9) Wotanorden
(0) Satanic Warmaster
(1) Bathory
(2) Ossastorium
(3) Alcest
Honorable mentions:
Xasthur, Iron Maiden, Carpathian
Forest, Dragonforce -
- these will grow on me more,
I think.
Discuss, metalheaded friends,
and nitpick at the observations
of the outsider.
I Would Rather Be
In Jail
Verv
22 August 2007
I saw a fucking awesome
Wikipedia quotation:
Midtown was an American
pop punk and alternative
rock band from New Brunswick,
New Jersey. Formed
in November, 1998 by three
Rutgers University students,
Midtown soon became a
quartet. The band took advantage
of the fertile New
Jersey punk scene to develop
a sound that combined elements
of emo and punk rock
and began recording shortly
after their formation.
My anger made a cumshot in
the back of my throat.
I was once 12 years old and I
bought a CD of a man urinating
into snow the word ¡®Punk¡¯ and
I laughed and it was really hard
and fast music and it talked
about what it is like to be so
Awesome.
Midtown sounds like a bunch
of motherfuckers who would
do a split album with Millencolin
in 2001 because they cried
the time their dad threw the
trash on the floor and told them
to pick it up since they didn¡¯t
clean their room.
Oh my God I would rather be
in jail getting fucked in my ass
by an overbearing wife beating
pedophile uncircumcised Muslim
convert than listen to music
whose main inspiration is the
Vagina they wish their penis
turned into during puberty.
The words of emo and punk
combined into some sort of coherent
entry in an encylopedia
is like an encyclopedia that has,
under the entry for God, "God
is Dead."
I do not care if there are faggots
who think they are punk
rock or punk rockers who think
they were allowed to turn into
faggots after the Misfits broke
up (newsflash: it is never allowed
to become a bitch in the
punk rock scene), this is criminal
and it should not be allowed
in official entries anywhere.
I am a very young person
who has had flirtations with
loud rock and roll musics, and
I daresay that as someone who
became into the scene of punk,
hardcore and Oi in 1996 that I
should, that I should daresay,
these guys are fucking cunts
and all those guys that transformed
the scene from the
late nineties to the mid 2000s
should probably drop their bars
of soap whilst in front of an
overbearing wife beating pedophile
uncircumcised Muslim
convert.
If I see these guys play I will
be that dude who yells,
"You suck !" and throws a
bottle onto the stage to be attakced
by a mob of people with
scene sweeped hair and swollen
vaginas confused for penis.
I am so angry that I would
be able to maintain successive
erections just to perform
homosexual rape upon these
polluters.
if I had my way these dudes
would be wearing Birkas and
walking 15 feet behind me,
not talking to anybody and
upon confrontation identifying
themslves as my wives.
The List Of The Immortals
Verv
17 August 2007
There are certain bands that
I just can listen to for decades.
Last night I was perusing new
music and was so shocked at
how bad some of it was... What
did I do?
Take an album I've been listening
to since the early 2000s
and rocked out hard.
There are a few bands, in
my book, that can never do any
wrong in the creation of music
- even their most mediocre
songs seem to be done better
than the "good ones" that other
bands have done.
I think it comes from the
mere ingredients they use.
You cannot fuck up certain
foods because what they put
into it is just so good. Some
bands can just do anything and
it turns out well.
I am very excited because I
can add a band to the list.
Here is the list of the immortals
in order of appearance in
my life:
- Queen - late 1980s
- NOFX - 1996
- The Clash - 1996
- Bob Marley - 1997
- 1998 - I made masturbations
for most of this year and went
to raves.
- Judge Dread - 1999
- Skrewdriver - 1999
- Pluton Svea - 2000
- Combat 84 - 2000
- The Oppressed - 2000
- Angelic Upstarts - 2002
- Kim Kwangseok - 2003
- Patty Kim - 2003
- Landser - 2004
- Sturmwehr - 2004
- Costes 2004
- Mistreat - 2004
- Vanilla Muffins - 2005
- Andrew WK - 2005
- Jocke Karlsson - 2006
- Pitbullfarm - 2006
- PWA - 2007
- Blockhaus- 2007
-Zillertaller Turkenjager - 2007
I fully discovered Blockhaus
three months ago. Zillertaller
Turkenjager just yesterday. It
blew my mind a new fucking
anus.
If you do not like most of the
music above... I do not know what
to say to you. The primordial
soup that went into us was just
different and you are a loser.
I think that the above mentioned
music represents the
greatest collection of sounds
that people were able to make
over the last 40 years that I
have been informed