by
Jon Twitch
What is a skinhead? If you're a
regular person, everything you know
about skinheads comes from sensationalised
media portrayals, the many
documentaries, talk show brawls, and
movies made on the topic. You know
that skinheads are bad racists. If you
ever meet a non-racist skinhead,
you'll explain to them they're just
poseurs who are meddling in something
they don't understand. Well, if
I have accurately described you so
far, I want you to roll this zine up
and cram it up your ass
-sideways if
possible. Thank you.
Alright, the rest of you know the
whole story about skinhead history
so we can skip that whole thing. The
majority of skinheads (not counting
Russia) are basically normal people
with a tendency toward a few deviations,
such as alcoholism, tattoos,
music, or whatever else floats one's
boat. Not exactly your everyman,
but nothing too weird. Of course,
that's not what the media tells you.
A long time ago, skinheads were an
apolitical counterculture, but I don't
have to tell you that, or you would've
already had this thing poking you in
the prostate as per my instructions.
Then some other people decided
that the skinhead uniform would be a
good choice for their white revolution.
This was a new idea that con-
flicted with the multicultural roots
of the counterculture. And then the
media and Hollywood jumped upon
it. But surprisingly, they took the
side of the white supremacists. Not
that Aryans are the superior race or
any garbage like that, just the notion
that skinheads are race warriors
rather than short-haired alcoholics
of all colours. Anti-racist
movies such as American History X
and Romper Stomper were made to
reveal the "dirty truth" about racist skinheads.
I take exception to those two
movies for their assistance to the
white power movement. Sure, the
message in the movies is anti-racist,
but they're as effective at keeping
kids from becoming skinheads
as SLC Punk has been at stopping
punk or Quadrophenia has been at
stopping kids from becoming mods.
These respective groups love these
movies not for the inevitable tragic
ending, but for the name-dropping
of their counterculture. Essentially,
this sensationalist media portrayal
of skinheads as racists makes itself
true. Dumb kids consume these media
images and assimilate them.
The easiest place to see this is
www.skinheads.net, a non-racist
and non-political skinhead website
that's been online since 1998. Every
time after a movie or a documentary
airs, there's a new round of dumb
racists signing up looking for White
brothers who they can vent to about
their hatred of niggers. They get
banned swiftly and mercilessly, but
they keep coming, as predictably
as the TV Guide. Just take a look
at the capsule movie reviews in the
left column, provided by freshcuts
on skinheads.net who couldn't hack
it when they actually joined a community
of real skinheads. These
people are becoming skinheads not
for a love of the music or for their
friends, but because a movie told
them how to.
I'm going to review three skinhead
movies, analysing the message in
each, the accuracy of their portrayal
of skinheads, and the effect
they've had. Rather than rate each
movie with stars, I'm going to rate
the movies by chromosome. The
normal number per human cell, 46,
is a good score. If the score is 45
or lower, or 47 or higher, the movie
has about as much luck as a human
with that number of chromosomes.
American History X
This film is hailed for its emotional and convincing story,
and for its strong condemnation of skinheads. The skinheads
in this movie are portrayed as ideological clones
united under white supremacist organisations, with no
mention of other opposing skinheads. The one accurate
portrayal is the old white power kiddy fiddler who likes
hanging around boys with shaven heads. This guy organises
them into committing many acts of violence, including
attacking a Korean grocery store. He controls their actions
and tells them what to think, similar with how racist
groups like the National Front dictated to its disciples in
England.
The main character is Edward Norton's character Derek,
a former racist who's trying to give up his skinhead
ways. After he is released from prison, he is chagrined
to see his younger brother has followed in his footsteps.
The young freshcut gets in trouble at school for writing
an essay about his hero Adolf Hitler. The movie gets its
title from his principal, portrayed by Avery Brooks from
Star Trek: Deep Space Nine (and probably the closest one
to a real skinhead in the whole movie). American History
X is a special assignment the freshcut must complete
in order to escape expulsion. He makes the kid research
black history so he can see why his beliefs are bullshit. Of
course these history books make no mention of the Jamaican
roots of the skinhead counterculture. I guess nobody
thought to research skinhead history so they could see
why this movie was bullshit.
But thanks for giving all those dumb kids the idea to
shave their heads and sign up on message boards to announce
their hatred of niggers to the world.
Rating: 




















This is England
A semi-autobiographical piece by director Shane Meadows,
This is England is the only of these three films to cast
actual skinheads. These are two good signs right now--a
person who actually knows something about skinheads is
speaking about them.
We follow Shaun, a young, bright kid, as he is welcomed
into a gang of skinheads. The first act of the film offers a
sentimental portrayal of the skinheads before things were
spoiled by politics. To an enjoyable soundtrack of reggae,
we follow the skinheads on some fairly common adventures.
There's some trouble with the fat guy of the group
(there's always a dumb fat guy in skinhead movies), but
soon he opens up and they all have a big cry together.
Shaun is shaved in and welcomed by the skinheads who
buy him clothes and reassure his mom that everything is
okay. They have a party where Shaun disturbingly gets
felt up by a punk chick who looks at least six years older
than him.
Everything changes at the party with the return of Combo,
an older skinhead who's spent time in prison. Things
start to change, as Combo brings them to a National Front
meeting where they're indoctrinated with the usual bullshit
that wouldn't seem out of place in the other skinhead
movies, but here it's given a historical context. We see
the skinhead counterculture as the traditional skinheads
are hijacked by white power political groups.
There is tension among the skinheads, and some of them
part ways. Their old leader, Woody, is deposed by Combo,
and he takes with him Milky, the black skinhead. The
tension between Woody and Combo is interesting, especially
after Combo makes a move on his girlfriend, but the
movie instead focuses on Combo and Milky. The movie
reaches a premature climax when Combo gets high and
beats Milky nearly to death, in a scene that feels cathartic
to the director but leaves the rest of us on the outside. It
seems tacked on, like they needed an ending, but there's
too much left open.
But believe me--this is good enough for 46 chromosomes.
Rating: 




















Romper Stomper
This film opens with three Vietnamese kids
being attacked by a gang of evil skinheads.
Right there, that's what skinheads are. They're
into senseless violence, attacking strangers
just because they're Asian. That's what skinheads
are
-they're violent, psychopathic misfits
who worship Adolf Hitler, the most evil man
of the 20th century.
The story explores a community of white
power skinheads living in an abandoned warehouse
in Melbourne, Australia, where they are
led by the charismatic Hando, portrayed by
Russell Crowe, who we presume prepared for
his role by shaving his head. Throughout the
movie, he rants about how the Vietnamese are
invading their country, and Australia is no longer
theirs. Case in point, their favourite local
bar, the Railway Hotel, is bought out by a Vietnamese
family. The skinheads, upset, go down
to sort out this misunderstanding by torturing
two Vietnamese boys. They get more than they
bargained for when more Vietnamese people
show up, and pretty soon they're running for
their lives as Vietnamese people spring from
every corner and shadow to chase the frightened
skinheads from their homeland. It looks
like Hando was right all along
-this is a serious
invasion! There are no white people left in
the city. The movie escapes the skinhead genre
and becomes a zombie movie when the tragic
heroes of this race war lock themselves in their
warehouse, with the Vietnamese pounding their
way in, eventually burning the warehouse down
and turning the remaining skinheads into fugitives.
What did we learn? The Asians are invading
our country, and we must take a stand if we
want to protect our homeland from ending up
like Hando's dystopia.
Rating: 






















The Believer
This film is a character study of a Jewish
skinhead, which the creators obviously
thought was a funny oxymoron.
But if you've been around enough skinheads,
chances are you've met a few who
are Jewish. The skinheads of the movie
are ideologically cartoonish charicatures
of racist skinheads, although Ryan Gosling
does a fine bit of acting here. He's
a messed up guy who probably would've
been okay if he fell in with a better bunch
of skinheads.
Rating: 





















All I Want/Try 17
Elijah Wood's first project following
Lord of the Rings, this one has only
a minor skinhead character, but he's the
best part of the whole movie. Elijah Wood
drops out of college when he meets his
skinhead roommate, who gives him very
specific rules about what he can and can't
listen to: "only ska." An amusing portrayal
because it indicates that not only is this
guy not a neo-Nazi, but he's also a total
cunt. It could go a long way from dispelling
the myth "Nazis bad, SHARPs good,"
which is only half true. In the skinhead's
final scene, Elijah Wood handcuffs him to
the bed and leaves him there with the radio
tuned to a country station.
Rating: 





















Skinhead Attitude
The only documentary I've included, this
one outlines the first 40 years of skinhead
history, giving a fair look by interviewing
skinheads of all kinds. Notable interviews are
Laurel Aitken and Buster Bloodvessel from
Bad Manners. The camera also goes to a
white supremacist compound in some backfuck
water hole in the US somewhere. I'd say
it does give fair proportional representation
to skinheads of all colours and creeds.
Rating: 




















Yo Gabba Gabba
Watching this makes me wish I was a
very young kid again, or had kids. Co-created
by Christian Jacobs of the Aquabats,
this show intended for toddlers has featured
many amusing musical guests. This is Teletubbies-
level entertainment, but they used
their underground music connections to feature
some surprising musical guests. The
first one passed around on YouTube was a
performance of the skinhead reggae classic
"Banana" by the Aggrolites. More recently is
the animated song "Pick it Up" by GOGO13
featuring Alex Desert of Hepcat voicing the
father of a young black girl and white skinhead
boy telling them to clean up their room.
You know society is in trouble when Nickelodeon
is better at portraying skinheads than
National Geographic.
Rating: 



















